Words by Joe


They’ve found a way

Sometime past the solstice summer
will kick up dust, shuffling
down a dirt road in scuffed
Converse. If he asks, about to pass
you by, you’re waiting for the fall,
when sweet breezes blow in;
and if you look to the north,
you can almost see autumn, but
for now summer’s heat pervades and you catch a whiff
of him
as he walks by -
sweat, of course, slick
as first rain’s oil on city streets,
and beneath it strawberries,
over-ripe,
and red as rays
of light left after
blue has blown away,
red as lazy, lightly sunburnt skin.

You smell cheap beer on him under
it all, and dry brush and scents
so fused with tattered clothes they seem
woven in. Grass stains on knees
of jeans
and the soles of his shoes.
He wears a white tee, faded,
about the color of his chapped nostrils,
which breathe in the dust and
dirt in shallow draughts.
A flick of fingers sends
the brim of a red ball
cap to his crown,
and beneath the light,
colorless hair
covering his head,
dim, diuretic eyes
and a crooked smile.
He pulls at several days’ scruff
with blistered, damaged digits,
black strips of flaky skin and dirt and food and blood under
every fingernail.

A dry wind sweeps in, northbound, as he ambles off,
and brings with it the stale, sweet smell
of death arcing
off the young, sunsucked man to the south -
a scent of Paris,
of the Seine
in hot August heat:
of elderly French madames
in stuffy tenements,
lying still in bath water brought
near the boiling point
by his relentless assault upon the
Bastille walls.

And as he stops, and turns, and takes
one last look
at you, the high noon
sun hits him from above,
and summer’s shady face is not a cheery color
of wild strawberries, but
a deeper crimson,
blotchy and purplish, like the cheeks
of a child left in the backseat of a car
on a June afternoon with the windows
rolled
up.
And as
he touches cracked white palms to a sweaty forehead,
brushing the hair from his face, behind his hands
his eyes spark with wanderlust of a dog
when the Fourth of July has
brought him out of his cage
to run spooked and mad
with pads raw and red dripping
into the streets.

Summer drops his hand
to his side,
and his thumb leaves a thin streak of blood down
the right side of his face, red
on red on red;
and he turns, and he walks on,
and the northbound wind resumes, whipping up
dust in all directions.



Ode to my first love
12 February, 2009, 11:43 am
Filed under: poems | Tags: , , , , , ,

Many secrets,
many books,
many souls trapped
in loose leaves
with no spines
that fall to the floor.
Fold them up into
paper airplanes
and let them go.

They dust our eyes
while we sleep below
them.
Many souls trapped
in loose leaves
with no spines
will kill the unborn fears
growing in our stomachs.

Many secrets,
many books,
and all only the whimsy
of spies stationed at
writing desks
or in the grave.

Heroes are born
and vanquished
cover
to cover.



I will smash them
24 July, 2008, 2:49 pm
Filed under: poems | Tags: , , , , , , , , ,

I’ll smash these fingers to pieces
and saw these hands off my arms.
They are petty jewels of an unworn and undeserved crown.
They are the vestiges of a lost name.
They are vestigial.
They have proven themselves redundant,
they have been dominated by a decreasing art
and slackened by sliding skill.
If I have need of them now, they certainly don’t tell me,
and seem contented to resign themselves to the fate
not that they had chosen, but through a refusal to choose, chose -
an aching ruinous crumbling,
as though they were made of dry sand, of red dust,
bled near to smacking their lips in dumbfounded and final thirst.
I’d rather not know them
when the day comes that they fail me.
It would be easier to live with stumps, with castration,
than to stare at these fully formed phalanges
shriveled, inactive, and shuddering from underuse.

If they are to be destroyed, either way,
in sloth or activity,
I should rather they be removed
to a home for old hands
than for me to spend
another minute looking at their knobby, knuckled backsides,
squeezing what little life I can from their tendons and tips,
staring at the imposing white expanses that separate me from the world
and knowing only my fingers can navigate,
like they do the passage from pale, veiny thigh
to the great fold at the spine, at the center.

These pumping cylinders of flesh and bone and gold and nail.
These fair painters.
These graceful, ungrateful little pencils.
There could be no greater pleasure
than to run them down to the eraser.