Words by Joe


The first and only time I thought of You

[another older poem, from about a year-and-a-half ago]

I dreamt of a time when the mottled pieces of our puzzled planet
stood in fault lines
when in fact they were nobles of perfect lineage
and with each movement
made ruins of our best intentions,
scrambling centuries’ worth of work
and making jagged jigsaws of them;
buckling the knees of freeway overpasses,
shaking loose steel bolts, and
creating works of art for us to ponder
in moments of riotous pause.
We did not design, in the past, but designified,
crossed lines,
and with every blow of the hammer
knocked the mystery from our lives
and lessened its greatness;
even Albert Speer knew this, the folly of his best laid plans,
and tried to imagine what his creations might look like
two thousand years on, as the beauteous ruins they would be -
He knew that sandcastles stand the test of time
when they give themselves fully to the surf.

All ingenuity in the performance is lost to us
if we pull away to find strings
and the hands of the master,
which wring themselves, even at rest.
We must use our own fingers
to touch the face of the world
and leave what we’ve created
to phusis,
that which arises and empties
and arises again.
Outside of ourselves,
in the hands of nature,
there are the things we can’t control
and the things we think we can,
and they push against each other like the prodigal and the avaricious,
and we stand within the eye of the storm
with all we have wrung from the earth
as some great throne beneath us
and are content to believe we retain some command of things,
while le meilleur des mondes possibles
rumbles around us,
seasons in transition, and colors, in the same cycle,
and us, quaking, in fear and trembling,
while the flow of Mauna Kea touches water, slows, and turns black,
and in vapors
whispers
that progress does not always mean going forward;
that it may mean turning our back on time and letting it sweep us to parts unknown,
and that it may mean a return, and it may send us into the ocean,
but as we give ourselves fully to the surf we know we will stand the test of time;
we know that death feeds life;
we know that at death an oath is sworn
to feed the living, and be reborn.



Oath of the gadflies

In the face of great art,
I am mute.
I could not stand before the statue of David,
could not say,
“You must change your life.”

I have not transcended this Being,
the petty existence we woke with
and wake with every morning.

Though nor am I a Stoic.
I have not accepted this state,
could not accept it;
I won’t float downstream
in the face of this bloody river.

I am not the type to establish
some Kingdom in the Desert,
nor some City of Dis.

In the face of everything I’ll fly,
until I am picked from the world’s
Teeth.

A horse can’t see its own behind.
The gadfly’s best work is done while the great beast
watches only the path ahead.

If I am an arrow,
I await my bow.
Until then,
I will remain in my quiver,
and show the others
what rotten wood they’re made of.



Our city lives are still

Ours is not quite a Brave New World;
though we’ve learned to exist upside-down,
and still the blood in our veins,
ultimately we desire grass and ground to step upon,
and though we value
the perks of our city lives
we may pick up stones to throw
and be pleased to find sand beneath them;
and may still be shocked to discover our cities were built with the bones of our ancestors,
and in a panic call back the wardens we had once chased from our windowsills.
We may seek, then, as city birds to live in the wide and wild open spaces,
to carve a slice of Nature’s bounty for ourselves,
but to pack and move there
is to leave behind everything we own
because there is no room for them, there, in the great expanses,
and it allows no burdens
save for the knowledge that a tree grows, as we do,
and transforms itself into something greater,
while a building springs fully-formed from the mind of its creator
and thus cannot be trusted.
To distinguish in this is to know God.
To travel out from the heart of a city is to travel into the heart of man;
to perch upon a branch is to know the heart of man.
If we follow the rivers of man’s blood to their spring,
and find the woods they wind through,
and travel the rivers’ eastern shores,
and drink from them as we need,
and not fear the leopard and the lion,
though they may shadow us on the opposite bank,
and discourage us,
then upon finding the bitter pools of our nature
we are obliged to settle there.
If there we find the seed of man’s heart and bury it beneath a pound of flesh,
and water it with crimson,
then five thousand years on,
when the great cities have become houses of dust for the dead to lay their heads in,
Yggdrassil will grow, again,
and so shall we.